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Pier Paolo Pasolini: Cinema as Heresy

Pier Paolo Pasolini was one of the most influential and controversial filmmakers of the 20th century. He was also a poet, novelist, essayist, and political commentator who challenged the norms of society and art with his radical vision. In this article, we will explore his cinematic works and their legacy, based on the Princeton Legacy Library edition of his films.

Who was Pier Paolo Pasolini?

Pier Paolo Pasolini was born in 1922 in Bologna, Italy. He grew up in a poor and turbulent environment, marked by the rise of fascism and the Second World War. He developed an interest in literature, art, and politics at an early age, and became involved in the anti-fascist resistance movement. He also discovered his homosexuality, which he considered a “sickness” and a source of shame and guilt.

After the war, Pasolini moved to Rome, where he started his career as a writer and journalist. He published poetry, novels, essays, and criticism, often dealing with themes such as sexuality, religion, violence, and social injustice. He also joined the Italian Communist Party, but was soon expelled for his outspoken views and his homosexuality.

In the 1950s, Pasolini turned to cinema as a new medium of expression. He wrote scripts for other directors, such as Federico Fellini and Mauro Bolognini, before making his own debut as a director in 1961 with Accattone, a gritty portrait of the Roman underclass. He went on to make 23 feature films and several shorts until his death in 1975.

What are the main characteristics of Pasolini’s cinema?

Pasolini’s cinema is characterized by a distinctive style and a provocative content. He used a mixture of realism and symbolism, often employing non-professional actors, natural locations, documentary techniques, and poetic language. He also drew inspiration from various sources, such as mythology, folklore, history, literature, art, and religion.

Pasolini’s cinema is also marked by a constant exploration of the themes that fascinated and troubled him: sexuality, violence, power, faith, identity, and alienation. He challenged the conventions and taboos of both mainstream and avant-garde cinema, creating controversial works that provoked censorship and controversy. He also expressed his political and social critique through his films, denouncing the corruption and hypocrisy of the Italian society and the effects of consumerism and modernization on the human condition.

What are some of the most important films by Pasolini?

Pasolini’s filmography is rich and diverse, spanning different genres and periods. Some of his most important films include:

• Mamma Roma (1962): A neo-realist drama about a former prostitute who tries to start a new life with her son in Rome.
• The Gospel According to St. Matthew (1964): A faithful and poetic adaptation of the biblical story of Jesus Christ.
• The Hawks and the Sparrows (1966): A comic allegory about a father and son who encounter a talking crow that teaches them about history and politics.
• Oedipus Rex (1967): A stylized and tragic version of the Greek myth of Oedipus.
• Teorema (1968): A mysterious stranger seduces every member of a bourgeois family and then disappears.
• The Decameron (1971): The first part of Pasolini’s Trilogy of Life, based on the medieval tales by Giovanni Boccaccio.
• The Canterbury Tales (1972): The second part of Pasolini’s Trilogy of Life, based on the medieval tales by Geoffrey Chaucer.
• Arabian Nights (1974): The third part of Pasolini’s Trilogy of Life,

• Salò, or the 120 Days of Sodom (1975): Pasolini’s final and most controversial film, a transposition of the Marquis de Sade’s novel to the fascist Republic of Salò.

What is the Princeton Legacy Library edition of Pasolini’s cinema?

The Princeton Legacy Library edition of Pasolini’s cinema is a collection of books that offer a comprehensive and critical analysis of his films. The books are based on the original texts of the films, with annotations, commentaries, and essays by various scholars and experts. The books also include illustrations, photographs, film stills, and bibliographies. The collection aims to preserve and disseminate the rich scholarly heritage of Pasolini’s cinema and to stimulate new research and debate on his works.

Why should you read Pier Paolo Pasolini: Cinema as Heresy?

Pier Paolo Pasolini: Cinema as Heresy is one of the books in the Princeton Legacy Library edition of Pasolini’s cinema. It is written by Naomi Greene, a professor of French and Film Studies at the University of California, Santa Barbara. Greene reveals to English-speaking readers the diverse talents that made Pasolini one of the most controversial European intellectuals of the postwar era, at the center of political and cultural debates still vital to our time. Greene presents Pasolini’s films in full detail and in a rich critical context, using them to trace the evolution of his ideas and the details of his troubled personal life from 1950, when he settled in Rome, to 1975, the year of his brutal murder. Greene also explores the connections between Pasolini’s films and his other artistic and intellectual endeavors, such as poetry, novels, essays, and criticism. Greene’s book is a valuable resource for anyone interested in Pasolini’s cinema and its legacy.

Conclusion

Pier Paolo Pasolini was a multifaceted and visionary artist who left a lasting mark on the history of cinema and culture. His films are challenging and provocative, but also poetic and profound. They reflect his personal and political struggles, as well as his artistic and intellectual passions. His cinema is a heresy in the sense that it questions and subverts the established norms and values of his time and ours. The Princeton Legacy Library edition of Pasolini’s cinema is a tribute to his legacy and a invitation to discover or rediscover his works.

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